May 2018 Vol. III No. V
Not your ordinary poetry magazine!
If good coffee (or just the concept of coffee), great books, sharp wit, and great authors excite you, we are for you!
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International Poetry الشعر শ্লোক ကဗျာ ליבע ਪਿਆਰ өлүм
African Poetry with Tendai Rinos Mwanaka
African :Poetry Editor Tendai Rinos Mwanaka is a leading poet and writer of the new generation of African writers and works hard to promote African writing through anthologies he has curated and co edited. Mwanaka has been shortlisted and won several writing awards, including being shortlisted for a record 7 times for the UK based Erbacce poetry award, 3 times nominated for the Pushcart, The Caine African Writing Award etc.
Suffering to have you
Sun explodes in the sky
Burning the moon
Destroying the eternal blue
Germinates in my womb
Star packed with music It hurts everything
Swollen mother
Wrapped stomach
Blushing breasts
My undulating body
It's just the blanket that covers a river
Blanket wounded by the shadow of music.
My feet step on the mud of the world.
With the weight of a child in the womb,
Fear steps my soul In a new dawn
How I suffer to have you!
It is believed in color
Everything has a color
That's what they say.
Drops that feed the universe
Sound that absorbs the taste of the cigarette
Hasty
Passage Step
Elastics that imprison
Hair on one breast
Sentence buried in the shade
Odors that merge with pencil
Everything has a color
That's what they say.
The hugs of the lunatics
Have color
Swallowed
Laughing swallows the words
Sloth swallows the care
In its turn The look swallows the smile
And all the coffee's taste is
Crushed and swallowed
By rancor
Gloria Sofia, 1985, from Cape Verde, has majored in engineering and Environmental Management at the University of Azores. She has musicalized poems, published 3 books and translated 4 Anthologies.
WHAT MOTHER THINKS OF NIGHT
The night is no veil
And does not understand darkness
You can not call what is with the moon dark
It's like having a child and giving it no name
My mother likes the night
She says she comes from it and
Will return to it.
Most times, you find her staring at the moon,
And pointing at her bedroom
And I do not think she means the room with no light.
It's a mystery I am yet to understand.
There's Fire and there's Water
Nancy is a girl her name touches my lips.
It's like love.
It's like hate.
But I like it when we share our sweats, and
When she understands that there are bodies
More flowered than other bodies.
I'm not trying to say what you think.
There are times meant to see and go your way.
Because there's fire and there's water.
Chinua Ezenwa-Ohaeto (@ChinuaEzenwa) is a Nigerian and a lover of literature. He won the Association Of Nigerian Author’s Literary Award for Mazariyya Ana Teen Poetry Prize 2009.
INFIDELITY
One couple entwined,
Sweating with passion that burn
One couple apart,
United through the pain of love
From the Book Além das Palavras – Original: Infidelidade Pag 21
LET'S TALK ABOUT US AFRICA
Let's talk about our land.
Aboutthe resources
About the people who are no longer in war
Let's talk about us
About the failed past
About this conquered present
About the desired future
Let's talk about us
About my brother, my father.
About your grandmother, my grandfather
About the unity of opposites
About Freedom of Thought
Let's talk about us
Aboutthe culture, the pleasure
About the soul of the brave soldier
About the happy farmer
Let's talk about love ... about everything
About our generation
But let’s talk!
Let’s talk about us.
From the Book Além das Palavras
– Original: Vamos Falar de nós. Page 22
Domingos Cupa is Angolan. He was born in the 80's. He began writing in 1997. His first work is a poem book entitled ‘Além das Palavras’, in which, he expresses the most varied feelings, with greater emphasis on praising love in his texts.
For my poetry mother and father
(for the Dutch poet Joop Bersee)
My mother was a wife in my father’s arms.
While she watched television, she was a
wife. Worked in the garden, cooked our dinners
she was a wife. During a spell of leaves, and
winter. Nerves and anxiety. After the rain
and stormy weather, I was plunged into water.
Coming up for air, take this arrogant blade
away from me. Outside-outside there’s a
persuasion that tugs. I whisper my hunger
like I know better. The decay of wilderness
in my throat. This is for my poetry mother and father.
Pain is supposed to shift over time. A flock
of birds flies off a ridge. My thighs stick
together in summer heat while I do the laundry.
I have the smell of the prizewinning of
flesh in my hands. Of bone. Of skin. Of Natalie
Eilbert. Clouds pass while I sip grief from a
porcelain teacup. If anybody can believe
that. I sip water from the cold roots of
webs of narrative. Once upon a time clouds passing
by while you loved me, while I still prayed
for the love of my life to save me. But then
I got hot and it rained a summer rain and dust
got swept away. Pavements were slick and ice
became warm. We danced then in a club.
Found mercy and a kind of grace in each other’s
arms. I found a map in my chest. Found
sharp exquisite blue light in canyons and
my face was lit with glory. Sunlight was
angelic then. There is no light at the end of
the world only solemn-wounds and trees
that haunt in the heavenly country where
I live. Everyone suffers at some point in
their lives. Reindeer of hurt planted on their
tongue. Soak this in sea or plateau. Landscape
or context. Coming to poetry in the beginning
was difficult for me. Words were like jam and
had their own alter-ego. And then poetry loosened
its soul against my own and went all-historic
on me. It was poetry that took me to the sea.
It was poetry that took me to the mountain. Covered
me in shroud, veil, and ornamental tapestry.
And sometimes in the evenings I watch the birds come home
until the light of day becomes ecclesiastical.
Things you need to know about stardust
(for the Dutch poet Joop Bersee)
Open the door and you will find a kingdom
there. There are things that you need to
know about me. I have a conversation
inside my head about how some people
should not be parents but they are. But
they are. They fight in front of their children.
They watch the news or inappropriate
films. I look at my mother’s bent head
over her work. I am doing this for her
but she does not notice. Does not say
anything. I look at her bird nose and her
beak mouth and I have this urge to connect
with her but she does not want to connect
with me. I feel tribal towards her. She’s
an orphan in the world now. I dreamt about
my grandfather last night or was it last
week. I think of the pale fire of the sea
that resonates within me like thunder. Of
course, I have always wanted music in
my life. People are writing about modern
loss now. Living in loops. I look at my
mother’s bare neck. Her shoulder blades,
and I think to myself that I came from
that. I came from her intense psychologies.
There’s the upward push of her fingers
as she works. I would have put music on
or the radio but she said that she works
better in silence. She works barefoot like a
girl, and I think of her pressing into my
father’s back at night when they sleep together in the
same bed, and I think of how some people
should never have been parents and then
I think of mine. I think of the silence in their bedroom and
the last things they say to each other before
putting out the light and putting their heads
on the pillow. I wonder did my father
always make my mother feel safe. I don’t
know what that’s like. Believing in a man.
Believing that he can give you the world.
I think of the truth about loneliness. About
how it’s all stardust, moonlight and roses.
I think of the men who have been kind to
my mother in her life because she was a
beautiful woman and didn’t have to work
hard for attention from kind or unkind men.
The way that I have had to work hard for
it my entire life, and I wonder if my mother
has ever kissed my father’s neck like I kissed
the last man that I was ever in love with.
Stranger made of flesh and Nineveh
(for Ambronese)
Burn bright tonight tigers inside
this room. Bring me courage so
delicate. The sensation of falling.
Jerusalem. Moses. Desert country.
The ancient knowledge of the importance of
family. Scarlet thread to patchwork
the burning tapestry of my soul.
I’ve been wounded before all of this.
I’m crying and I don’t know why I’m crying.
Living with illness has done this
to me. Coming home from the sea
we have a shared interest for the
rural. Obituary. Sympathy for grassroots and
community. Proof that singing in
the rain could not dampen our spirits. Our prayer
for the eternity of the grace of the
tomorrow-land of mountain-roots.
The blue light persists. Exists only to promise
moral scorching. A wasteland of
gathering stages of spring decay and
pollen falling like dandelion clocks
all around. Such is the strange nature of illness
and the authentic mud season in the
garden. Leaves lyrical. We’re the
hope. The soul on fire almost spiritual.
All I see is a field that burns me up.
Flowers survive in the moonlight.
Anointed with perfume and music schools.
After dreamy-loneliness and death comes a
world of concern. Grief brings with it
silence. Love that can move planets.
All writers are poets in their own way.
The rain saved me. It always saved
me. Breathed life back into me. I’m
only in need of a survival-kit. Little-fed
waves of afternoon sunlight. Believe
in me is all that I ask of the men and
women in my life. Fish swim towards
the nature of life. The psychological compass of its
wet valleys and runaway plankton.
Picturesque sea don’t forget about me.
My strong limbs swimming against
the current. It is wild out there. A church.
Woman with the graceful neck you must love me.
Pushcart Prize nominated Abigail George is a South African blogger, essayist, poet, short story writer, and aspirant novelist. She is the recipient of grants from the National Arts Council in Johannesburg, the Centre for the Book in Cape Town, and ECPACC in East London.