July & August 2019
Vol IV No IV
Not your ordinary poetry magazine!
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Published bi-monthly
Simon Perchik Five Poems
*
Empty and the sand
follows you along Broadway
as if some dampness
was left for shoreline
moves the IRT up
then down the way clammers
use their feet to rake
— you walk on tracks
careful not to miss
while the train underneath
breaks open its doors
all at once — no, you don’t jump
nothing like that
— these shells are the same
the mad feel for
though their sweat takes the place
water grieves into
and their mouths are the same
let you yell down
and not a mark inside your body
to call you by.
​
​
*
Leaning against the wall
it becomes a death bed
the way a name on paper
flattens out to take hold
for which there is no word
only a room where no one noticed
you didn’t ask for help
so close to the corners
with the light still on.
*
You fold this sweater the way a moth
builds halls from the darkness it needs
to go on living — safe inside this closet
a family is gathering for dinner, cashmere
with oil, some garlic, a little salt, lit
and wings warmed by mealtime stories
about flying at night into small fires
grazing on the somewhere that became
the out-of-tune hum older than falling
— you close the drawer and slowly
your eyes shut — with both hands
make a sign in the air as if death matters.
​
​
*
This slope broken loose
cracks the way all ice
rises from a single stone
though below the tree line
just her grave
already has a twin
— two mouths, easy to spot
not yet the mountain range
she would sip if it was water
could leave the hollow
the underbrush, mouthful
over mouthful, talk
sit across from you
while her words no longer move
are in the way and colder.
*
And though the Earth lets you dig
it’s your tears that heat the ground
already growing stars
once the darkness covers it
to lure these dead here
with stones scented with shorelines
returned not as rain but grass
just as it was, closing in from all sides
the way this shovel is warmed
by your hands kept wet, pulled
closer — you cling to this dirt
as if it once was an afternoon
knows only the slow descent
hand over hand into stone
that no longer opens to hear the bleeding.
Simon Perchik