July & August 2019
Vol IV No IV
Not your ordinary poetry magazine!
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Published bi-monthly
International Poetry الشعر শ্লোক ကဗျာ ליבע ਪਿਆਰ өлүм கவிதை บทกวี ποίηση költészet 詩歌
with Vera Ignatowitsch
To Be A Brilliant Woman in the third world!
to be a brilliant woman in the third world
you have to not be!
if you want the basic tips
kindly listen to me
put your mind in a box
be ready to say every moment “I agree”
announce your eternal silence
stop whirring like a curious bee
act like a bird in a cage
never dream of being free
don't consider obedience guilt
it is an honor getting down on your knees
and about your gifts
quite enough to know all the electrical appliances —
do you know about dishes and how to make tea?
nobody cares about gifts
it is not necessary, they are too wee
don’t try to laugh aloud
it is perfect to be a tree
and understand that argument is so dangerous
that the best a woman can do is flee!
to be a brilliant woman in the third world
you have to obey!
your family, your husband, your neighbor, your president
whoever he or she may be!
you have to stitch and cherish and nourish and never expect the chance to flourish!
you have to maintain silence
never crying whee!
when you succeed or if you finally see!
in the third world
all you have to be
is not be
nobody cares about your gifts
it’s enough to have a degree
in lessons of obedience
or cooking purée!
Amirah Al Wassif is a freelance writer. She has written articles, novels, short stories, poems, and songs. Five of her books were written in Arabic, and many of her English works have been published in various cultural magazines.
Flies
it is cold enough
to break stones
in the mound of flesh
lodged in my rib cage
you scooped out
the insides
like the sweet yellow part
of a lemon tart
and left the crust for flies
(and who wants
to buy a bitten peach?
or feel nauseated
if asked to eat?)
only the flies
neglect the difference
between truth and lies
Jagari Mukherjee holds an MA in English Language and Literature from University of Pune. Her first poetry collection, entitled Blue Rose, was published by Bhashalipi, Kolkata, and her first chapbook is forthcoming this year from Cherry-House Press, Illinois, USA.
1
Lamp my lamp,
bright streetlight burning
brighter than myself!
Come here, lamp.
Talk to me.
My walking-ground was in the field of stars
with these plain human feet, because the stars
surround our planet with no up or down.
Now a three-year-old girl tells me
in a woman’s voice: Come here!
To tuck her in at nap-time.
Looking at a street light by my mother’s home
the night before I lost my job again
over another disagreement about how to raise the
children.
4
I too can lead a tall song by the throat.
If manhood’s proof is always to be in the money
my heavy silence will not earn the name of man.
But if you look back on yourselves, how you began,
your hardships were all paid for by the state. So
three peasants walking in a field without a gun
watch a great duck fly by and when they hear
the gunshot each man thinks his poverty his own. You,
you good people, Red Guards in your childhood
of your Great Cultural Revolution, now you say
the poor are poor because of being lazy.
After hearing from my young wife who brought me to
China
that her parents want proof of my manhood by my
showing them the money,
thought shows me where their own starting capital had
come from.
Ilya Gutner was born in the Soviet Union in Moscow and grew up in New York. He was for a time a PhD student in Slavic Studies at Brown University, but that soon ceased to be an option. He studies philosophy now in Shanghai, China.
Peripeteia
The white-collared kingfisher must be angry.
He was gliding tree to tree straight
through steady breezes, a turquoise blue
arrow zipping upward, free. And how royal
he must have felt before he flew into
my window screen — his honor inversed. How
stunned the monarch must have felt!
What kind of Gods would create
such a hue, a specific kind of blue on wings
on a crowned regal head, such a masterful
coo, and yet such a flaw — no tactical sleight
to deflect the sickening bolt, the jolt
into a square, soiled pane?
Why such malice?
Why the sudden blast against parading
lightness? Did he wave wings aghast?
Did the impact dislocate his spine?
I cast my eye through the cursed
glass. Settled outside
ruffled grey sparrows perch
on a bowing branch.
Anna Teresa Slater is a high school literature and drama teacher from the Philippines and a postgraduate student in Creative Writing at Lancaster University. She lives on a farm with her husband, dog, and cat.
It is India
If anything physical can be immortal,
soul of universe so vividly present
before naked eyes,
whom invaders have mauled again and again,
even today where ferocious insane claws
are trying to pull it apart to drink its blood
that is the place called India.
Formed before even history can look,
she who never went out to rob territory,
can live on very little wealth worthy of mention
that too for thousands of years
is the place called India.
Poor eyes of the world can see only poverty there,
shameless can come running for solace to her
when burnt in the flame of life
without bothering to contribute anything
that is the ever soothing place India.
But oh selfish world how long
will you go on sucking her blood? How long?
Stop it now for good or else it may be too late.
First published in Taj Mahal Review Vol. 15 Number 2, Dec, 2016, India.
Sandip Saha has published one poetry book, Quest for freedom, and poems in Better Than Starbucks, Pif, The Cape Rock: Poetry, Las Positas Anthology by Havik, Inscape (Pasadena City College,) Shot Glass Journal, fēlan, Oddball Magazine, Snapdragon, and more.
Window
There is a window facing the sea, facing the tides of you.
The waves perpetuate your voice of Brágui and, when they
burst,
you embrace my body of salt and sand.
The ocean mistresses sing your song with eyes pale as the
moon made
of mist. Our bond is deeper than the depths. My brother, you
are my home
and through me, you will live.
Raquel Dionísio Abrantes has a bachelor’s degree in Cinema from Universidade da Beira Interior, and has given a Master Class in Writing of Scripts about Narrative Structure. Her article, “Image by Image — The Construction of Horrible Beauty” will be published in Livro de Atas.
Don’t Dance
They will tell you
Don’t dance.
It doesn't look good.
Your flab wiggles ugly
You look weird trying those moves
Don’t dance.
You might break your ankle
Lose your mind.
Your hair, it’s sweaty, disheveled.
They will tell you
Control that brimming spontaneity
Be what is expected of you
Gulp your eccentricity
Stifle your calling.
They will tell you
Being in a trance is taboo
And dancing barefoot is unwomanly.
Slouch. Cover. Pretend.
Smile politely.
They will tell you this
Over and over again
And here’s the thing girl —
When they tell you this
Know
You are doing something right
Something that makes you
YOU.
Chandrama Deshmukh is a writer, poet, and storyteller. She has authored a collection of English poems called Moonlit Monochrome. Poetry for Chandrama is that one streak of silver lining amidst the chaos of life.